Guillaume and The Coutu Dumonts – Fair Is the Field
DJs such as Floating Points, Francesco Tristano and Oliver Coates reached the peaks of the Underground by transferring their formal musical training into the Electronic sphere. Another fine example is Guillaume and The Coutu Dumonts. Montreal-born DJ and producer studied latin and classical percussion, and even played in a live funk band prior to undertaking the decks. Now a recognised name in the scene, his previous education has granted him an edge when it comes to his production. Unsurprisingly, his byzantine sound has seen him perform alongside Luciano, M.A.N.D.Y and Visionquest’s Cesar Merveille. His enticement for experimentation has been noticed by the DJs who share his enthusiasm. Released in 2018 on Musique Risquée as A2 of his ‘Shouts, Moans And Significance’ EP, ‘Fair Is The Field’ is a wizardous marvel that demonstrates the level of Guillaume’s savoir faire.
At its simplest terms, ‘Fair Is The Field’ is Ibiza‘s answer to John Coltrane. The sense of freedom exercised by the floating key notes that are with the skill of Bill Evans is only matched by the accompanying saxophone. Less than a minute in, the listener is introduced to a bass you’d expect from Serialism Records. Guillaume’s sophisticated percussion work landed him a release on Watergate Records with 2015’s ‘The Drums‘. What is heard on ‘Fair Is The Field Field’ come to be no exception. The samples of wild birds hooting evoke a tingling sense of finding oneself in a venue situated out in the jungles of Ecuador. ‘I love this music..and it’s 24 hours a day…You hear the same?‘ asks a husky narrator’s voice, the music fading out into oblivion. The returning amalgamation of components throws a ramshackling synth into the mix. With a potency that would take Alice back down the Rabbit Hole to the Wonderland, the track is intoxicating even at the most sober state. Continue reading →
Brian Harden’s ‘Where You Are‘ oozes the Jack and pizzaz of your vintage Chicago House cut. ‘Delight Where You Are’ the vocal sample rings with the staple disco sample. At first glance, this style synonymous with Mike Banks, Robert Owens, Roy Davis Jr, Marshall Jefferson can seem a juxtaposition to the Rominimal sound. Listen a bit more thoroughly though and the two styles appear congruent. SIT aka Sideways Invisibility Theory is comprised of one of the most revered in the game, Cristi Cons and Vlad Caia. Appearing on the rerelease, this SIT remix is a one stellar cut. Cristi himself notably made heatwaves after his remix of Azimute’s ‘The Secret‘ released on Cocoon racked up more than 30,000 Youtube views before release. Individually they’ve released records on their own label Amphia, as well as similarly minded labels Meander and Serialism. Their first LP, Sideways was rich in experimentation, described by PlayedBy as ‘a groundbreaking definition of what we call the Romanian sound’. The duo hit a creative high point with their LP Invisibility Chapter on Sushitech. On this album, their Housier interpolations weaved into the nooks and crannies. In this remix, SIT elevate the original showcasing this shade of their production in full flight.
Chicago native Brian Harden’s original was released back in 2001on his The World Peace EP. It came out on Nite Life Collective, an outlet for jazzier cuts coming from the likes of Glenn Underground, Roy Davis Jr & Moon Man. In the same spirit, the release contained some sublime freeform jams. This is not surprising, considering Harden’s bio cites Herbie Hancock’s ‘Rocket’ as well as the music of Axel F, Paul Hardcastle and Miles Davis as inspiration. Listening to his atmospheric Deep House track ‘Chicago to Detroit‘ proves that he is a master of the dusky Detroit synth sound that partners modular keyboard work. With a chunky 808 bass and lush synths, it sounds as timeless now as it did back then. SIT up the ante on the remix making the elevating the staccato elements of the original. The bassline pounds with the rhythm and the force of a pitched down jack hammer. MIDI bleeps ascend with a sound of a Super Mario mushroom pick up. Chimed synths are looped, twinkling effortlessly. In a similar fashion to another track we reviewed by Sublee the synth’s intertwine compressed from the original, echoing out of time at will. The breakdowns nod to Harden’s composition, being interpreted with the same atmospheric descent. Continue reading →
Minimal can emerge under many different shapes and forms. Whether that be house, tech or funk orientated. Cesare vs Disorder is one such producer who likes to dabble with a range of styles. Maybe growing up in his native Brazil, where there is much to catch the eye, inspired such pluralism. Whatever the influence is, it sure does work. Responsible for one of the quintessential labels within the Minimal scene, Serialism Records, Cesare delivers yet another banger here. This one was released on the seminal Vakant Records, responsible for key records from Tolga Fidan,Alex Smoke and Mattias Tanzmann. A perfect fit. His Apparena Jazz EP had a Perlon mainstay Spacetravel remix. Strong and punchy, a paradigm for a 5am set at Studio Martin. ‘Dinner with Bogdan’ was our main draw however. We purchased the vinyl by the power of this track.
Rolling in like a Rominimal Rhadoo romper or Trommel release, the bass is at its warbly and wonky optimum. Rubbery and loaded in funk, the bassline is finely crafted for a party at Club De Visioniare. The definition of free thinking, but suave. Shimmering, and echoed synths are dolloped in, causing a gnarly ripple effect. Much like watching water ripple when dropping a stone in a still forest stream. Murky drawn out synths come in and out in the spirit of a Rick Wade track. The hats, however, give the track stacks of ammunition to push and pull the energy of the dancefloor. Continue reading →
As one half of the formidable Production/DJ duo Azimute, Quenum is a well known name within the Minimal appreciation circles. Co-producing one of the greatest Minimal tracks of all time in 2003’s collaboration with Luciano, ‘Funky Orange‘, as well as seminal collaborations with other Swiss collaborators Daschund & Lee Van Dowski. Quenum’s cuts tend to be as inventive as a Russian Sports Chief’s denial claims during a doping probe. We first heard ‘Vault Element’ in 2008 on a Sven Väth’s Ninth Season CD, and it was a track rather unconventional even for the conceptive genre of Minimal. Ever since, it has been one of our go-to tracks when introducing a novice to Minimal Techno.
‘Vault Element’ makes one feel like they’re encased within a vault which in this context is the dancefloor. In the majority of his tracks Quenum lashes the mix with a plethora of percussion and it’s no different here, with the melody carried by a noise created through a hollow but aluminous object hitting a desk. Chopped up mutant voices belch ‘time’, adding a real sense of eeriness to compliment the off kilt piano stabs. As soon as your ears start to gauge what’s going down is when the the track truly unravels. Piercing the cerebral like a vengeful mob hitman are the strident laser stabs. Sounding like they’re meant for a hard trance track, slowed down these have the force of a plasma beam intentionally placed to send the dancer into a galactic trance. Continue reading →