Ricardo Villalobos – 808 The Bassqueen (Original Mix) [MINIMAL TECHNO]

Ricardo Villalobos - 808 The Bassqueen (Original Mix) [MINIMAL TECHNO] Released in '99 on Playhouse Records, it’s a tough yet elegant track. It’s not a regular showing for Ricardo Villalobos to release something as such, but if he was going to release only one record, this game-changer would be enough. This is a banger.Ricardo Villalobos – 808 The Bassqueen

Robert Hood is credited with inventing Minimal Techno, but Ricardo Villalobos surely can be accredited with defining it. Listening to his first ever release, ‘The Contempt‘, you knew you were in for something special. The Chilean’s ‘Alcachofa‘ album has been referred TO as the nirvana of Minimal Techno, the fulcrum pinnacle which all will refer to as the high point of the genre. Ricardo’s legendary status as a proponent of the abstract, sees him only affiliating with a few to keep the creativity flowing. He told Crack Magazine that he only likes to chill with ‘10 to 15 people’ including Raresh, Rhadoo, Zip and Dorian Paic. If you know the Rominimal scene, you know it has followed his lead. It’s an analogue, vinyls only affair, for those who are serious about the genre by paying for it. The warbly bass and extraterrestrial noises you find on your average Trømmel and Meander releases aren’t here though. ‘808 the Bassqueen’ is a love song to the famed Roland machine. Released in ’99 on Playhouse Records, it’s a tough yet elegant track. It’s not a regular showing for Ricard to release something as such, but if he was going to release only one record, this game-changer would be enough.


The TR-808 is famed for its expressions of the bass note. As much as it is loved by Electronic music enthusiasts, Hip-Hop producers have loved it just as much. Kanye West made a whole album from it, ‘808s and Heartbreaks‘. Lil Jon’s Crunk-induced tracks were defined by the booming bass produced using this machine. Such mastery is also found within Villalobos’ track. A rigid, throbbing bass verging on the borderlands of Dub begins the track. It is a strident sound which can also be found in the productions of Subb-an and Tuccilo. Chords with the sheen of Caribbean steel drum are stabbed with precision of a harpist. Warped drones plague like a dark mist over the track. Half way through the track beautiful strings are drawn out to give the track a warmth akin to Tchaikovsky’s Swan Lake soundtrack. His LP with Max Loderbauer on RE: ECM has shown his dabble in avant-garde classical and this experimentalism, surely inspiring others such as Petre Inspirescu. The warbles, delays and reverbs at different parts add to the fascination. All in all it leaves the listener musing, whilst remaining in the groove. The cut is Ricardo’s exegesis in less is more. Continue reading

Landside – Signs of Change (Robert Hood Remix) [TECHNO]

Landside – Signs of Change (Robert Hood Remix) [TECHNO]Landside – Signs of Change (Robert Hood Remix)

As first outlined on the liner notes of his seminal Minimal Techno album Minimal Nation, Robert Hood is a Godly man. If you’ve ever read the Bible, you will agree that the grand visions of Ezekiel detailing the Cherubim and its adventures is Hollywood worthy. Hood drops such herculean description within the design of his ‘Signs of Change’ remix to Landside’s (A project of  Hunter/Game and Icelandic band Kúra) track.


Pounding and gargantuan big room bass that’s often been seen in his tracks recently help flex his vision heavenly vision. With glacial chimes looping over the top showcasing what made him stand out in the first place. The spectral vocal on top is certainly an added bonus. 

The drawn out, but focused zippy synths given a renovation from the original, help make it feel majestic, painting a picture of the Cherubim zooming around sky, showing it’s power in full glory. This Robert Hood remix show’s the techno pioneer’s class in all it’s glory.