Audiojack – Inside My Head
The Guardian ran an article in 2011 titled ‘How dance label Crosstown Rebels bounced back‘. Didn’t realise it had fallen off. A label that has ebbed and flowed with the times, there’s no denying it has also been a trendsetter, launching the careers of Jamie Jones, Seth Troxler and Art Department. Head Honcho Damian Lazarus has been on a run of sorts recently, with the punishing releases coming from the Arthur Baker & Rockers Revenge, as well as the atmospheric Aether. The same newspaper recently featured the leading contender for ‘world’s greatest party‘, Get Lost based in Miami. With Audiojack’s ‘Inside My Head’ we could have one of the track of the year’s on our hands. Releasing EPs on 20/20 Vision, Tsuba and Hot Creations, the duo’s style is uncompromising in it’s lean rawness. So it comes as no surprise that their latest Tech-House release reached number one on the Beatport Charts. The Ibiza-based, Leeds-raised duo bring their best in what you can only describe as euphoric.
Listening to the Audiojack’s 2016 release ‘Vibrate‘ proves that the lads are exemplar at providing heavily echoed vocals. The track opens up with a female vocal that’s sampled from Cuba Gooding’s disco-funk classic ‘Happiness Is Just Around The Bend‘. Echoing ‘There’s something going round inside my head‘ the vocals are spacey and add to the kindred nature of the track. ‘We knew the vocal back from an old progressive track in the 90s, but why it suddenly kept looping round Jamie’s head we don’t know” explain Audiojack to Magnetic Mag. ‘Now it’s your turn to endure the loopy repetitive vocal of this low swung proggy groover‘. The Wurlitzer keys bring this spellbinding wall of synth that brings a trancey atmosphere. It’s akin to ‘that‘ track from Solomun’s Cercle set. The boys truly love their production. Speaking with 6AM Group about their infatuation for Native Instruments, they state ‘Max4cats recently brought out a semi modular plugin called Pallas which is so much fun routing one thing into another and modulating stuff in strange ways to get some really out there sounds‘. These quaint sounds can be traced in the track, combining manipulation of guitar strings, western Asian percussion and screeches of a jet engine. Unadorned yet devastating. Continue reading