“I just love emotion in music, I don’t really care what genre or style it comes under, to be honest” Eagles & Butterflies stated in his interview with Pulse Radio. The lush, abstract production that evokes emotion has received endorsement from labels which share his philosophy such as Noir Music, Bedrock & Southern Fried. Incorporating elements of Electronica and IBM, his sound connects the “sense of hearing… to other senses“. His latest EP release ‘Imitations of Life‘ is a return to Innervisions this year after his track ‘X‘ previously featured on Secret Weapons Part 8. With the cover featuring a plastic bag set against the background of molten lava, the statement of this being something unprecedented is clear. The leading track ‘SKETCH 7’ exemplifies his refined layering of a “complex sound world” that is ravished with grandeur .
With an opening drum arrangement that features a live instrumentation snare, an organic sound akin to Will Saul’s ‘Drama‘, leans towards the hallmark of House. The rolling bassline melts into the preceding streams of delight created by aggrandising sforzando. Having previously remixed the renowned Italian composer Ludovico Einaudi’s ‘Elements’, Barratt’s enthusiasm for complex chord-progression goes unchallenged. In such, he joins his contemporaries such as Tale of Us, Henrik Schwarz and Max Loderbauer who have offered their interpretations of Classical music releases. Such free-spirited note alignment is heard in ‘SKETCH 7’, as well as his Get Physical 2015 release ‘Sounds of Colours‘. The imperceptible phasing of topline synth drifts from one ear to the other. This adds to the already established kaleidoscopic dazement. Similarly to Patrice Bäumel’s remix of Khen’s ‘Land Of Goshen’, the track allures the listener to lose themselves in the moment with its Balearic euphony .
Tehran-born, Frankfurt-based DJ & producer Arian 911 supports a look that would qualify him for the role of Freddie Mercury’s right-hand man. Striking coal-black hair compliment a moustache from the 80s to complete a look that is effortlessly elegant. A fair definition of his music too. To understand the man behind the production, a work of investigation is required. Discogs claims Arian Beheshti was an Ibiza local all the way back in 1993, being a Cocoon Ibiza resident since its inception. This would explain ‘Dadap Dadap‘, his 2009 minimal release on Sven Väth’s label that will leave thirsting for water. Circa. 2013 you’ll find electro releases associated with his name. ‘7 Melodies’, the first of his two inclusions in the annual Innervisions’ Secret Weapons compilation in a row is yet another metamorphosis. A tender form of melodic techno, perhaps one Arian is most suited for.
‘7 Melodies’ states its ambition in the title of the track – to create a multilayered template of intersecting sound palettes. The challenge of such aspiration is the element of solidarity. Ensuring, that all of the sonically elements homogenize rather that compete for airtime. And, in this respect, Arian shows his maturity. The pads shine with phosphorescence like neon lights illuminating the dark. He creates a watercolour painting splashed in colour, a mesmerising experience of synesthesia. The official video is fittingly a mirage that is kaleidoscopic. Innervisions label itself has classified the track as a strain of Deep House, however, this would only be relevant if one is to take 2010s interpretation of the subgenre. More suitability, this is the sound of the self-effacing melodic strains of techno manufactured by such as Roman Flügel, Mano Le Tough & David August. Regardless, the end outcome is euphoric. Continue reading →