It is wild to think that a decade has passed since Keysound began to stretch the creative boundaries of 130bpm Bass music. Indebted to the underground dubstep sound, the label’s notorious discography is treasured with releases such as Skream’s ‘Sweetz (2005 Flex)‘, LHF’s ‘Keepers of The Light‘ and Sully’s ‘Escape‘, just to name a few. While speaking to Red Bull Music Academy label-boss Blackdown claimed ‘dark 130’ was ”just a subheading in a blog post”. However, it has since evolved to become a tagline closely associated with the roster. “The Hunger” EP, Blackdown’s brand new release, comes as his fourth installment of the Rollage series. Transcending the boundaries of Jungle and Bass, the track is a culmination that demonstrates how far the London-based label has come since its inception in 2005.
The EP brings four tracks with manifold intensities that are uniformed by a shared tempo. ‘The Cycle’ takes the path of exploring the darker side of 130bpm rollage. Successive to the project’s atmospheric intro, the track is unapologetic in its ferociousness. A dystopian shade created by funerial pads is coloured by the laser-riddled soundbank that is featured spasmodically throughout the runtime. Blackdown’s journalistic background saw him interview Loefah back in 2009, where he highlighted his ardor for ”echoes of jungle’‘ in dubstep-fused tracks. Though the formulaic drum-patterns of the sub-genre may be absent in this instance, its mistified framework serves as an delirious prelude to a Jungle track mix-in. In such, the release is guaranteed to serve as a revered weapon by leading selectors in the scene.
Before he became a DC10 mainstay, I saw Skream dosing out absolute piledrivers at Cable years ago, the Dubstep clubbing institution that was under the train archways near London Bridge. Carrying the virtuoso of genre-pioneers such as Benga and Kowton, it was in-your-face brash stuff. Looking at the scene’s most celebrated tracks however, such as Kode9’s ‘Samurai‘, The Bug’s ‘Skeng‘ and Joy Orbison’s ‘Hyph Mngo‘, the genre’s more mellow tracks can be just as commanding. Dutchman Dave Huismans, is the man behind the Dogdaze moniker, as well as the more 4/4 A Made Up Sound alias. Releasing on revered labels such as Tectonic and Delsin, as well as Red Bull Music Academy dubbing him as ‘inimitable’ is certainly an apt branding. Under his 2562 moniker however, you will find an artisan off-beat shake downs. ‘Embrace’ is one such track that stays true to its title, embracing a more finespun approach.
Dropped on fellow compatriot Martyn’s 3024 in 2009, it snuggly feels at home amongst other abstract-leaning musicians such as Leon Vynehall and Trevino. When chatting with Little White Earbuds about his favourite music to play when he feels down, he responded with Detroit’s Deep House legend Rick Wade. ‘Embrace’ certainly echoes such moody, powerful Deep House tropes. Beginning with a minor key, chords are stabbed hurriedly and delivers sentient vibrations. Dubstep is known by its half-time drum patterns, offering clashing BPMs between separated elements, creating a measure of space between the different layers of the track. The drums are raw and hollow, ascending and descending to variant notes on each half-beat. They share the vim of the bulwarking dub bass which drags itself into place like a stone into a quarry. Lastly, dusky pads serenely shimmer over the top adding to the meditative spirit that the chords bring. Continue reading →
When the real Dubstep was in it’s heydey, boy oh boy did it come off well. Melting other styles like 2 Step, Jungle and Garage it was a blank canvas for creativity. Released in 2011, Youandewan uses a nostalgic nod to the 2 Step days with this cut and its brilliance still can be shined through to this day.
Dubstep hats kick in over a smooth sub bass that has real baritone like character. It’s only one note, but the chords played give the track that 7pm Summer in south London feel. Beautiful Rhodes piano chords looped over the top make it sound pretty, akin to something played by Moomin, Christopher Rau or Pantha Du Prince. It helps make the track ‘Deep’, helping a DJ to mix it in with more function deep or tech house. Continue reading →