Moby – Next Is The E (Synthe Mix)
The track opens up with a drum pattern similar to 1980s Hip Hop hits such as Big Daddy Kane’s ‘Ain’t No Half Steppin‘ or Eric B. & Rakim’s ‘Paid in Full‘ that simmered its influence into 1990s. A hyperkinetic bass loops, an inheritance of Moby’s teenage years involvement in DIY punk bands. A masterful use of stripped down, sampled vocals have painted Moby’s picturesque discography. In ‘Honey‘ he sampled Bessie Jones, Boy Blues’ ‘Joe Lee’s Rock’ laid the fundamentals for ‘Find My Baby‘ & Vera Hall’s voice conducted ‘Natural Blues‘. Here he combines male ‘Heart-beating‘ chants with female ‘I Feel It‘ and ‘Yeah‘, all which sound related to the other. The breakdown, however, is the highlight of the track. Stripped of the bass, the kick and soft hi-hats accompany radiant ambient pads. Moby is gifted in soundscapes, none more evident than in ‘God Moving Over The Face of The Waters‘ which scored as the OST for Michael Mann’s 1995 movie ‘Heat‘. The melody coalesces, with repetition of ‘These are the odds‘ to raise the dopamine levels before all comes crashing into a drop. The preluding elements collide with the new vocal chants to complete a collage of rhapsodies, all dancing in unison to bring down the soundtrack of paradise.