GusGus – Fuel
As small of an island it may be, Iceland has produced some real pacesetters for the world of music. Sigur Ros, Björk and Exos are just some the names that can be drawn from the hat. ‘Being super bored and stuck on an island…could be the answer’ claims Bjarki, the latest international export from the country’s Underground scene. Another longstanding name that has been bubbling above the surface levels since the mid 1990s is the Reykjavík duo GusGus. A collaboration of Biggi Veira and Daníel Ágúst, the act has been responsible for a number of deviceful hits that include ‘Arabian Horse’ and ‘Over’, as well as a a memorable King Britt remix of their track ‘David’. Their signature parading sound is often affiliated with powered vocals. ‘Fuel’, however, further spotlights the duo’s instrumentation capabilities. Coming from their 2018 album ‘Lies Are More Flexible’ it is a slow-footed synthesis giant.
Released by Oroom, the track can be best described as being a 110 BPM fusion of Trance, Ambient & Electro. Biggi claims the introduction to the acclaimed Belgian composer Jean Michel Jarre‘s album ‘Oxygen’ broadened his perspective to the possibilities of musical composition. The sound of that particular era is returned to here. The track echoes the aesthetic of the album that aims to explore ‘strange chord structures and arpeggios of the old synth wave stuff back in 78-82‘. Subversively, however, elements of future sounds are incorporated, with 1990s Progressive House breakdowns taking centre stage. Transcending of genres has always been common trait for the duo, bolstering a discography that includes everything from synth pop to dub techno. The track’s underlining feature that glues all the fragments together is the perpetual modulation. Shifting its form even through the introductions of Cattáneonian vocals and layered synths, the ever-changing intonation gives the track its spirit.
‘Fuel’ can be interpreted by some as the side step of the evolution for Trance. After all, it draws parallels with slowed down records that often feature in Vladimir Ivkovic‘s sets. However, for those more familiar with the duo that formed back in 1995 as a film & music collective, the sound of GusGus will feel more trademarked.