Ellen Allien – Take Me Out
The sub-genre of Electro can be seen as a conundrum. Its wide-ranging spectrum includes the bass-heavy interpretations of Aux 88, aquatic tones found in Drexciya productions and the Electroclash renditions of The Hacker. In an article titled “A Not So Brief History of Electro, Part One” Steve Mizek claims “the genre is as lovable as it is difficult to pin down“. A mother figure for the techno idealists of Berlin, Ellen Allien has a solid number of Electro-associated releases traced in her discography, including ‘Augenblick‘ & ‘Magma‘. In the same fashion to Seth Troxler, Allien carries the triple threat of DJing, producing and at times providing the vocals to her own tracks. As her 2009 collaboration with Apparat ‘Way Out‘ demonstrated, Ellen is a competent vocalist. Her 2012 EP ‘Galactic Horse‘ released on her label BPitch Control featured “Take Me Out”. A track for the fans of Juan Atkins‘ style, it is a “bone-dry, crunching” revival of 1980s Electro.
The interpretation offered here by Allien is much more minimal and lower-tempo. Co-produced with fellow Berlinian duo Skinnerbox it aims to take the listener into the deeper state with its hypnotic lure. Characteristically for the collaborators’ production, the track’s low EQs elements bring a pulsating thump. The sequencing of the drums transgress the 4×4 beat structure, similarly to Carl A. Finlow’s ‘Anomaly‘. Here, the production does not share the “psychedelic end of the electro” associated with Helena Hauff. In that extent the fairly linear chord-arrangements might lead some to describe it as “electro-pop”. Drenched with reverb, capricious bursts of strident synth piercing. Allien’s seductive female vocals merge with a low pitched duplication. This evokes a sense of flirtation, perhaps reflected between a synergised dance between two dancers who’ve come across each other on the dancefloor. For the track’s conclusion, the triplet arpeggios lead the dissolving kick into oblivion. Despite a 122 BPM, ‘Take Me Out’ maintains a sense of magnetic suspense throughout its 7 minute playtime.
In his book “Rave On” Matthew Collin describes Ellen Allien as having a “quintessential Berlin CV” having lived in a squat at the Schöneberg district, holding residencies at Tresor and E-Werk and eventually founding her own record label. Her discography carries versatility including Deep House releases like ‘Sun The Rain‘ and techno cuts like ‘Lost in Paradise‘. This is fueled by the DJ’s quench for experimentation and refusal to conform to trends. Such an independent spirit of contrarianism is found in ‘Take Me Out’, a track that contributes to the outré sonic space Allen ravels in creating.