DJ Sprinkles – Grand Central Part I (Deep In the Bowels Of House) (MCDE Bassline Dub) [TECH-HOUSE]

DJ Sprinkles – Grand Central Part I (Deep In the Bowels Of House) (MCDE Bassline Dub)

We all need our ‘insurance policy’ tracks. DJs playing this at 4am in a club, will boost of a verve jaded dance floor. Akin to Nitrous Oxide being pumped into a speeding Nissan GTR on The Fast & The Furious. Motor City Drum Ensemble provide just the treatment. This 2009’s release on Japanese label Mule Musiq was the first B side to DJ Sprinkles’ ‘Sisters, I Don’t Know What This World Is Coming To’. Deep House in nature, with the precision of a tech jam, its a compelling and incisive journey. Throughout, it is all encompassing, showcasing all hues of bass and mids as well as reminding us why MCDE is so revered in House and Disco circles.


Unlike his ‘Raw Mix’, with it’s breaksy bass and wonky synths, this is a driving brutal 4/4 affair. Carl Cox, Marcel Dettmann or Chris Leibing could’ve even sneaked it in a more darker set. It’s called a ‘Bassline Dub’ for a reason. The hats set a real pace, with MCDE using Einstein intelligence to warp them on the 8th beat. A dampened field recording of being right next to a Boeing 747 take flight, eloquently lifts the track off. Vaulting in like a Hummer landing after hitting a 45% ramp at speed, comes the bassline. Gargantuan and glorious, it’s panoramic dubs commands the listener to move. The way it filters in and out, and is delayed and echoed truly makes it an immersive trip. Over the top are drumstick-against-table like stabs. The breakdowns are cinematic, just leaving the percussive barebones, with ambient strings, and otherworldly charms found in a Visionquest track.

MCDE’s Raw Cuts series is a compilation of moving disco and house cuts. If you’ve ever seen him play live, you’ll see that it’s his forte, just like in this Dekmental Boiler Room set. However, if he feels like he should dabble making something a bit more techy, like this Steve Bug remix also, then we would have no hesitation.

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