DJ Hell – Anytime, Anywhere (FJAAK Remix) [TECHNO]

DJ Hell – Anytime, Anywhere (FJAAK Remix)

Seeing FJAAK’s humorous Facebook profile picture, gives you the impression of why their music is so brash. It’s ironic that they would remix one of the most brash men in existence, just going by name alone, DJ Hell. A highly influential German institution, the International Deejay Gigolo label boss has a penchant for not giving a toss. Being sued by Arnold Schwarznegger for brandishing him in his techno label. Frequently using provocative risqué EP covers. Relationships with the High Fashion Elite, Karl Lagerfield and Donnatella Versace. Making tracks with Bryan Ferry and Puff Daddy. With such diversity of interests, and willingness to push the boundaries, Hell has helped bridge the gap between Electroclash scene and Techno. Way back in 2013, when asked by Housecult for their picks for artists to look out for, FJAAK quote Attu, Willie Burns and The Analogue Cops for their ‘Raw but powerful sound!’. Fast forward to 2018, and FJAAK’s sound would be described as more than that. Released this year, FJAAK turn the original into a belting Techno cut. So good, Nicole Modabeaur played it twice in her recent Awakenings ADE B2B with Dubfire.


Speaking with District Magazine, Felix, one of the techno trio members, comments that his biggest influence was Bone-Thugs-N-Harmnony. This affinity for booming bass has leaked into their sound. As seen on their remix of Missing Channel’s ‘Onslaught’, and their own original ‘Keep The Funk‘, the sub bass they produce rivals the best. The bass modulations heard in the track move with an inexorable propulsion. Very similar to ‘Ninex 9-C‘ by Maetrik. The original tracks sombre synth rails are dialed up 50 notches, bringing voluble buoyancy. Akin to Sleeparchive or S:VT’s. Emotional, the organ synths from the original have been put through a grinder causing catharsis to counterbalance the doughty nature of the track. Distorted noises and triple time drums complement the track, showing FJAAK’s full compliment of skills on analogue machines.

Released on affiliate Modeselektor’s 50WEAPONS(RIP), ‘Gwerbe‘ is a another of their distorted bass heavy tracks. It’s a sound also found on Blawan’s Wet Will Never Dry album. With their follow up LP Havel about to drop, look’s like it could be the perfect finish to the year.

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