Delano Smith – Dream Come True
Being in Ibiza over the summer, it was only natural to play some DC10 podcasts while lounging around the Ushuaia beachside. With John Dimas at the helm, I was sucker-punched once this track came up. Expecting to cop the L anyways, I Shazam’d fifty times to no avail. Recently, however after some serious digging on Soundcloud, I struck gold. It was none other than Delano Smith. The The Belleville Three are most well known in the Underground, but are not the only heavyweight trio to hail from The Motor City. Delano is part of Detroit Beatdown and The Beatdown Brothers. Consisting of himself, Norm Talley, and Mike ‘Agent X’ Clark the three fly the flag for the more deeper shade of Detroit. In an interview with Resident Advisor Delano defines Detroit Beatdown as being ‘Raw, minimal Groove’. Dream Come True exemplifies such perspective. The B2 on 3 tracker EP ‘Precipice‘, it was released on his own MixMode Recordings in 2012.
His label releases records that carry a dusty sound. ‘The Thesis‘, his EP with Derwin Hall being one such highlight that carries this aesthetic. Boomkat describes the Precipice EP record being ‘Solid, chuggy trax with that ounce of late night flavour – all warm chords and thick drums’. That’s certainly the case for the first two tracks. Delano flips the switch with this track though, as it is the chords that take the lead role. Speaking with Meoko, Delano’s claimed he is “looking to entertain the listener more with talent and artistry versus just beats and groove’. You can tell he’s got his ear in all the right spaces, as the chords truly hit the spot. Don’t get this mixed up – this is more of a tool than anything. Sitting on the same chord progression for a minute, it allows the DJ to mix it in with ease. This sets the tone for a late time City bar vibe with the jazzy saxophone samples. A unembellished bass note is plonked, seemingly satisfied to stay in the background. Metallically sheened chords of differing magnitudes reverberate. Yet it is the chords more than anything that win, rolling with decadence. Their potent rhythm would get the dancefloor swinging standing on its own.
Reflecting on the origins of techno, Delano claims the genre was born out of the electronic sounds of disco: Giorgio Moroder, Kraftwerk, Gino Soccio. Introduces to the cross Atlantic sounds by Electrifying Mojo, Smith was mentored by pioneer, DJ Ken Collier, who was the first to take whole parts out of tracks and layer others on top. This unquestionably birthed Delano’s desire to experiment. His first two releases came through using Yamaha RM1x and Motif, and to this day he’s maintained his fondness for analogue machines due to their retained rawness. This shines through in ‘Dream Come True’, revitalizing the very same authentic sound.