Clark – Unfurla
“Music is like sculpture. It’s like trying to capture a moment of ultimate momentum, and distill it forever“. These are the words that accompany Chris Clark’s track ‘Unfurla’, released under his Clark alias. If such perspective is to be adopted, then the producer is the Auguste Rodin of his respective field. Drowned In Sound describes him as ‘a cut above most of his peers when it [comes] to sheer technical and compositional wizardry‘. After all it is no easy feat to land an album on Warp Records, an outlet that has released the works of dexterous artists such as Boards of Canada, Aphex Twin & Oneohtrix Point Never. ‘Unfurla’ is his 2014 release on the label, coming from his self-titled album. The Progressive Techno whopper has been adequately described as “a near perfect distillation of his oeuvre“.
What characterises ‘ Unfurla’ the most is the pulsating momentum that breathes with a continuous sense of unpredictability. The introduction combines a wet kick with a heavily-distorted bassline, reminding of Laurent Garnier’s 1997 classic ‘Crispy Bacon‘. Yet one minute in you are introduced to an extract of a grand piano being played through a hallway reverb-filter. The two concepts should not possibly co-exist in theory, and Clark’s ability to combine these is therefore impressive. Such elements manifest the spirit of Electronica and IDM genres, with the influence of Amon Tobin particularly noticeable. The ease at which the tone of the track shifts from Bastinov’s ‘Prisma‘-like leading synth to woodwind instrumentation breakdown is tantalizing. The final third of the track resists the temptation to return to its prior state, opting for a cello-leading outro that is more sombre in its tenor. Despite a runtime that falls below the six minute mark, the listener is left with a three-part story that satisfies the senses akin to a blockbuster flick. Continue reading