Moodymann – I Need You So Much (Runaway) (Original Mix) [DEEP HO– USE]

Moodymann - I Need You So Much (Runaway) (Original Mix) [DEEP HO-- USE] Moodymann's 'I Need You So Much (Runaway)' came part of his acclaimed Black Mahogani album released back in 2004 on Peacefrog Records. A gentle remainder that the DJ behind the project is a guru of Deep House.Moodymann – I Need You So Much (Runaway)

Moodymann, also known as Kenny Dixon Jr., is a prophet of Detroit. Motor City has long produced a line of father-figures for a music scene that craves substance. The Electrifying MojoChez Damier & Theo Parrish, are just some of the names on the list. The spirit of Detroit combines spiritual essence with the stark contrast of the often harsh living conditions experienced by its people. Few have come close to infusing such soul through sampling in a majestic way as Kenny Dixon Jr. has. If you need proof just listen to ‘Ya Blessin’ Me‘ or ‘Sunday Morning‘. He’s graced stages worldwide from Rex Club to Dhërmi Beach in Albania, yet claims East Side of Detroit as his favourite place to visit. Moodymann’s ‘I Need You So Much (Runaway)’ came part of his acclaimed Black Mahogani album released back in 2004 on Peacefrog Records. A gentle reminder that the DJ behind the project is a guru of Deep House.


The track begins with crowd talking sampled from Marvin Gaye’s ‘Got to Give It Up‘. Dixon Jr. is well know to be a fan of the Soul singer, releasing a tribute track “The Day We Lost The Soul” in 1995. However, there’s also a connection to be made with Motown’s Detroit roots. After all, the genre takes its name after the Motor City. Moodymann is an ambassador for his city through and through. In fact in ’Forgotten Places’, he calls out the geographically local areas where he likes to hang out. The piano keys, saxophone and the bass guitar combine for what appears to be a Jazz improvisation at first. This a recurring feature of the producer’s releases, seen in his other tracks like ‘People‘. The DJ’s performances back home often integrate a live local band. However, a crisp kick here provides the rhythm that partners with what sounds like a man clapping in a bar to the beat. Roberta Sweed’s vocals are like honey running into your ears, melting into the wholesome atmosphere created. Finally, the producer stamps his mark as his own vocals give a shoutout to the lead vocalist. Extravagant yet soulful, the track is a gift from a talent blessed by the heavens above.  Continue reading

Tony Allen – Ole (Moritz Von Oswald Remix) [DUB TECHNO]

Tony Allen – Ole (Moritz Von Oswald Remix)

Released on Damon Albarn’s Honest Jon’s Records, this Moritz Von Oswald remix is proof that the Gorillaz frontman has a delicate taste in electronic music. With the original version coming from an album titled ‘Lagos Shake’, the Nigerian influence is strong with this one. Oswald is a German multi-instrumentalist whose extensive original releases like ‘Watamu Beach Rework‘ demonstrate production influenced by 1970s bands responsible for the Kosmische movement like Tangerine Dream and Can. His collaboration with Mark Ernestus as Basic Channel introduced the world to some of the most pioneering minimal and dub tech releases. Their subsequent label Rhythm & Sound output drew influence from the dub reggae scene. Here Oswald takes his production mastery to transform Tony Allen’s original into a dub techno ambrosia.


The track begins with a set of djembe drums played with great adroitest of Yinka Ogunye. A lingering analogue synth reminiscent of a Ibiza Chillout compilation simmers with intent to collaborate. The symbiotic relationship between natural and technological instrumentation is captivating. Rather than contrasting, they manoeuvre in communion that is refreshing. Then, ninety seconds in, the the prime mover of the track announces its entrance with the charisma of Alexander the Great. A husky kick supplements a sangfroid bassline that is cadenced yet serene. An African vocalist chants ecclesiastic chants with sombre conviction. Though the words may sound alien, the spirit with which they are sung is universal. Continue reading