Lee Foss – Someone New (Original Mix) [TECH-HOUSE]

Lee Foss - Someone New (Original Mix) [TECH-HOUSE] Released on his Starfruit EP, 'Someone New' is a time capsule of era when Lee Foss was at the peak of his production game.Lee Foss – Someone New

2011 was a formidable year for the Tech-House scene, as producers rode the crest of the 2010 wave well into the following year. Tale of Us released a mammoth remix of WhoMadeWho’s ‘Every Minute Alone‘. Solomun’s Vox Mix of Noir & Haze ‘Around’ catapulted him into the spotlight. Slightly under the radar, Get Physical released DJ T’s ‘Pleasure Principle’ remix compilation featuring interpretations from David August, Jimmy Edgar & Subb-an. One of the labels that was on everyones’ lips, however, was Hot Creations. Founded by a Welsh-Chicagoan partnership of Jamie Jones and Lee Foss, the label introduced us to heaters such as Danny Daze‘s ‘Your Everything‘, Miguel Campbell’s ‘Something Special‘ and the chart-topping Hot Natured’s ‘Benediction‘, all released within the same year. While Jones’ can be seen as more of a patron of the label, Foss’ late 2000s and early 2010s releases laid noteworthy support to the crew’s rise to success. Tracks like ‘Keep My Cool‘ & ‘U Got Me‘ are fine examples of the finesse traced in his early releases. Coming from his Starfruit EP, ‘Someone New’ is a time capsule of era when Foss was at the peak of his production game.


Deep, elegant & sensual are just some of the words that can be used to describe Foss’ signature style. His earlier discography tended to have an unadulterated approach to using lightly-processed analogue synth lines. Such is heard in ‘Someone Knew’, as 1980s Miami inspired soundscapes mollify into the intro that cuts the lower EQs. In conversation with the Night Bazaar, Foss tributes Funk groups such as Paul Simpson Connection to having a major influence on him. Noticeably, his new label Repopulate Mars‘ pushes track like ‘Freak You Right‘, which are more fubsy in percussion sidechaining. This is somewhat a departure from his earlier sound that’s epitomised in this track. The bassline serves as an ancillary, melting into the groove created by a fairly emollient layering of the drums. The overall sound tenderly seduces the listener, rather than overbearing with an in-your-face approach. Fundamental to most renowned releases, is the polished use of the vocals. Here he reworks an extract from Usher’s 1994 track ‘Think of You‘. ‘All the time I think of you, Holding on to someone new‘ brings a set of rather guarded lyrics. Yet the groove created by the remaining elements of the track pacifies the listener into a dance that’s filled with reflection.  Continue reading

Soul Clap & Ahmed – Give It Up (Original Mix) [RNB DISCO]

Soul Clap & Ahmed - Give It Up (Original Mix) [RNB DISCO] Crew Love Records bosses, and DJ duo powerhouse drop this sample edit of the Sade original al element of funk and good vibes with essence of deepness.
Soul Clap & Ahmed – Give It Up

Soul Clap, consisting of Lonely C & Bamboozle, is a DJ & producer partnership hailing from the States. They boast what must be one of the most eccentric artist bios out there, making references to Sun Ra and Motherships (check it out for real). The discography of the boys from Massachusetts is also smoother than the bottom of James Brown’s shoes. With production that draws inspiration from disco, funk & hip hop, their production is the backlight to sceneries filled with neon lights and palm trees. Their Crew Love Records label is an outlet of releases that all share the attitude of good vibrations. The duo have been recognised for their bootlegs of RnB classics since mid 2000s, so this track coming from their 2016 EP is an observance of a tradition that has characterised their career.

Part of the ‘R&B Edits Vol. 3’, the collaboration with New-York-native and label-mate Ahmed, the remix adds a groove to Sade’s original. Keeping the toms together with the softer undertones of the saxophone from the 1988 release retains its core. Key component to the track is the vocal sample, which needs to handled with care. Here the edit adds some healthy reverb and tints off echo to bounce off the rhythm. Guitar bass carries a hint of ruggedness that is reminiscent of Fat Larry’s Band output back in the 1980s. Unruffled pads preserve the track’s slick ride while the sustained synths that enter the picture in the latter half complete this journey abundant in funk.  Continue reading

Blawan – Getting Me Down (Original Mix) [TECHNO]

Blawan - Getting Me Down (Original Mix) Techno. South Yorkshire DJ and techno powerhouse who loves wearing beanie hats. This track takes his love for RnB and demonstrates his sampling capability that offers a unique type of banger. This self-released record came as part of the Night Tracks 034: Ghostek Guest Mix.

Blawan – Getting Me Down

Normally reserved for any of the main strands of the underground electronic genres, sampling a Soul/RnB vocal is a frequent as expecting to see Kanye West tweet something controversial. Except for a Techno artist that is. The genius of Berlin based, Barnsley born Blawan however is contrary to this finding the nous to be able to twist hit track I Wanna Be Down by Brandy into this scrumptious techno floor killer released in 2012.

The main part of the track is certainly the pitched up vocal, fastened to the melody as fittingly as the embroidery on a Versace. It’s oozing the poise of Usain Bolt – it just knows it’s sitting on a win. Underneath this is a snaking, nasty and rasping electro-tinged lower mids and jaunty sub bass. Petite and palatable, the percussion on this cut is similar to the experimental experience delivered by John Roberts. Continue reading