Pan-Pot – Zeit (DEAS Remix) [TECHNO]

Pan-Pot - Zeit (DEAS Remix) [TECHNO] DEAS' remix of Pan-Pot's 'Zeit; provides a vehemence in his production that's best served for the Techno festival masses of ADE.
Pan-Pot – Zeit (DEAS Remix)

One Reddit user crowned Pan-Pot as the ‘Nickelback of Techno’. Though, it is true that the duo from Berlin have enjoyed recognition worldwide, I don’t believe the Redditor in question has ever heard of their timeless, ground-breaking releases such as ‘Charly‘. Pan-Pot’s Second State Audio is a label like Drumcode and ARTS releasing Techno-flavoured cut curated for festivals like Dimensions or club venues like The Steelyard. The unit can claim responsibility for helping catapult Amelie Lens’ career into the stratosphere by releasing her first 3 EPs. Impressed by the SUM 2 compilation featuring slamming cuts by Wigbert, Marco Resmann and Tobi Neumann we waited with keen anticipation for the next compilation. Appearing at track 3, DEAS’ ‘Friday Rain‘ instantly made us froth at the mouth. Perfect for building a set just like the SCI+TEC release ‘Revenge‘ by Rosper, it conveys the same savageness. Here again on this 2018 release DEAS provides a vehemence in his production. Best served for the Techno festival masses of ADE, as well as technical soundsystems belonging to such as London’s 93 Feet East. Red Bull label’s DEAS production style is deep and melancholic. You certainly get a bit of that, plus more on this remix.


Pan-Pot’s original track features a stomping bass, alongside random percussive bits and a veil of 303 drum soundscapes. Zaps that come like bolts from the Greek god Zeus help pickle the brain. DEAS instantly ramps up the feeling by expanding the bass. This creates a wall to wall of atmospheric dread. A tribal drum pattern will help mix out of something not so greyscale such as Artbat’s ‘Prometheus‘. Ironically or not, the EP cover is that of a space helmet. Squelching echoed modulations help the track shoot the abyss. Alien-sounding, it’s a striking sound when paddled alongside the stringed arps. The track can be deemed as being drenched in a maximum amount of reverb. By the time the claps kick in, the pulses that reverberate around entrap the senses. Those bolts mentioned before? They then spurt back in at will, causing an absolute carnage. It’s a fireball of menace, only to further throttle the dancefloor once the tunnelling pulses fire again. Continue reading