Eagles & Butterflies – SKETCH 7
“I just love emotion in music, I don’t really care what genre or style it comes under, to be honest” Eagles & Butterflies stated in his interview with Pulse Radio. The lush, abstract production that evokes emotion has received endorsement from labels which share his philosophy such as Noir Music, Bedrock & Southern Fried. Incorporating elements of Electronica and IBM, his sound connects the “sense of hearing… to other senses“. His latest EP release ‘Imitations of Life‘ is a return to Innervisions this year after his track ‘X‘ previously featured on Secret Weapons Part 8. With the cover featuring a plastic bag set against the background of molten lava, the statement of this being something unprecedented is clear. The leading track ‘SKETCH 7’ exemplifies his refined layering of a “complex sound world” that is ravished with grandeur .https://soundcloud.com/betweenthetime/eagles-butterflies-sketch-7-original-mix-innervisions
With an opening drum arrangement that features a live instrumentation snare, an organic sound akin to Will Saul’s ‘Drama‘, leans towards the hallmark of House. The rolling bassline melts into the preceding streams of delight created by aggrandising sforzando. Having previously remixed the renowned Italian composer Ludovico Einaudi’s ‘Elements’, Barratt’s enthusiasm for complex chord-progression goes unchallenged. In such, he joins his contemporaries such as Tale of Us, Henrik Schwarz and Max Loderbauer who have offered their interpretations of Classical music releases. Such free-spirited note alignment is heard in ‘SKETCH 7’, as well as his Get Physical 2015 release ‘Sounds of Colours‘. The imperceptible phasing of topline synth drifts from one ear to the other. This adds to the already established kaleidoscopic dazement. Similarly to Patrice Bäumel’s remix of Khen’s ‘Land Of Goshen’, the track allures the listener to lose themselves in the moment with its Balearic euphony .