THE Nova Dream SEQUENCE – Dream 3 (DJ Yellow’s Abyssal-ienation Remix)
King Britt truly made waves in the electronic scene via his seminal 2003 remix of GusGus’s ‘David‘. It was released on Ovum, who he co-founded with Josh Wink. Though he’s been making quality tunes since the early 90’s, class is permanent. He still churns out the bangers to this day like on his Dub of Manuel Tur’s ‘Maybe Next Lifetime’ on Freerange Records. As well as creating House cuts, he’s manned the turntables for Grammy nominated hip-hop avant-gardist’s Digable Planets, producing one of my favourite Hip Hop albums ‘Adventures in Lo-Fi‘. His pre-eminence of drum machines and musician ship has seen him craft cinema scores for Michael Mann. King’s 2007 The Nova Dream Experiment album was ahead of its time, seamless melodic dreamy experience interweaving through IDM, Minimal and Melodic Techno. Compared to King’s version of Dream 3, Alain Ho aka DJ Yellow builds what is a nightmare. Completely reshaping it, and building on the devilish vocal, it’s murk breeds the emotion of a dank club at most intense.
King Britt & DJ Yellow released Alienation 3.7 on Yellow’s Poussez! label. Juno describes ‘The sound design here [being as] brilliant as is the fantastic programming, resulting in two ass shaking, mind altering journeys into the netherworld’. Clearly it was constructed during the same studio sessions, being called ‘Abyssal-ienation Remix’. It certainly sends the listener into the Abyss. After a hasty defending 3 note sax snippet, the track instantly sends you into another world. Haunting synths glide over pulsating acid synths which feel sound sharp like heavy rain. Undulating gothic pads Wolfgang Voight and Brian Eno may assemble, steeped with emotion float. It’s indicative of the atmosphere of trepidation at hand. Lawrence’s Sten alias has the same vibe. The haunting synths then take the fore as the track breakdown, and uses the sinister vocals. ‘I can feel your heart beat, as you move, and groove’ it says in a drooling languid manner. Bleepy drums kick back in, ensuring the dancefloor patrons stay in the zombie like stasis they would’ve already been induced in. Continue reading
Lawrence – Marlen (Carsten Jost & DJ Richard Remix)
Released on Dial Records in 2015, DJ Richard & Carsten Jost combine to reengineer an ambient house cut into a profound dancefloor weapon. A fan of Dial Records since my mid-teens, I’ve always been excited to see new artists pushed by the crew. With Minimal and Deep House bosses like Efdemin, Carsten Jost, Roman Flügel & Lawrence on the roster, they’re more gifted than the finest brain surgeon. Allowing for creativity and weirdness is their Modus Operandi, and DJ Richard truly fits the bill. The IDM and Techno on his breakout Grind, and later releases on Dial are triumphal in melancholic ingenuity. After years of grafting with label mates Aron Arneson and Young Male on White Material Label, Rich fits the Dial ethos of pushing the boundaries. Having a newbie on the label, and an old head collaborating is adumbration that the method may change, but the message remains the same. Their remix of ‘Marlen’ takes the Dial brand further into more rugged territories.
The bass that murmurs from the start is like a mole that pokes it’s head out of the ground. Poking and probing for what’s above ground, but not loud enough to be seen. A sumptuous kick that you can tell Carsten would’ve engineered. He also has runs an avant-garde rock band named the Misanthrope CA Project with Robert Kulisek. Weird and wacky a sweeping vocal goes from let to right. It sounds like a cat growl on autotune. Kept from the original is the masterful dollops of synth which as primed for the grey sky. DJ Richard is built for this kind of weather, as eery cinematic soundscapes drawl. “I like romantic sound design, but an upsetting palette” DJ Richard told The Fader. It’s a charm that works well. Listen to ‘Love‘ from Perishable Tactics or ‘Pink’, out on Benno Blome’s Sender Records. You will understand Carsten is is cut from a similarly somber cloth. It is his flawless piano work, such as that displayed on Pink that makes this magical. Warm and innocent, it perfectly matches the candle lit cover art. Continue reading
Carsten Jost & Lawrence @ Beta Lounge
I stumbled upon this mix on a cold wintry Saturday morning earlier this year, and ended up listening to it 3 times over. Yes it’s 3.5 hours you’ll never get back, but 3.5 hours of pure deep house, minimal and tech house bliss.
Starting very downtempo, with a few ambient tracks, then you’re hit with the warm Geoff White’s ‘Hopeless Romantic‘. This sets the tone for the mix as though being the finest salted caramel to your ears. A John Tejada & Leviste early Pallette Records track the ‘Present of Presence‘ is also another highlight. With its shimmering synth shrills simple guitar strum and basic drum keeping your head locked in the suspense of thought it got you in by title alone.
Hypnotic, the track certainly embodies much of the first hour with Move D’s remix of B Recording’s ‘Shine’. It helps keep those heads down on the dance floor with its emotive synths, muddied hats and great chopped up vocals. Two cracking Olive Hacke tracks round up the first hour, with some great bleepy minimal.The thing about this mix that keeps you going is the ability to play different styles at the right moments. Continue reading