Meg Ward – Chief (Original Mix) [HOUSE]

Meg Ward - Chief (Original Mix) [HOUSE] Meg Ward's 2019 release 'Chief' revives the convivial Hip House vibes that Eddie Fast preached about. Meg Ward – Chief

It’s not Hip Hop or House, its Hip House‘ proclaimed Fast Eddie in his 1989 classic ‘Hip House’. Almost thirty years later, the spirit of his track lives on. Newcastle-based DJ Meg Ward is fairly fresh to the inner-side of the underground scene, having been DJing in clubs for a year and a half or so. Holding a residency at Cosmic Ballroom’s weekly Tuesday night out “Ill Behaviour”, she’s also starting to cause a ruckus outside of the North, travelling to places around the country while playing feel-good groovers to the believers. This has given her the opportunity to support her heroes that include Bellaire, Folamour, Mark Blair and Kettama. ‘Chief’ is her most recent release on Genesis, reviving the convivial vibes that Eddie preached about.


Hitting with infectious ferociousness of Karizma‘s festival favourite ‘Work It Out‘, ‘Chief’ is a track that is mature in it’s opening. The track’s lifespan begins and ends with a heavy-injection of filtering. Not only making the transition easier for the DJ in charge, but also providing the track with a character of its own, especially when the intensity that perseveres is introduced. ‘Hip Hop and rap, yeah that’s where my heart’s at‘ Lords of Underground vocals taken from ‘Chief Rocka‘ chant with magnitude. The idea for the track came from Meg playing around with synths while listening to old school hip-hop, a genre she is particularly fond of. Accompanying it is a chopped-up collage of keyboard notes transported from back from a 1990s Thomas Bangalter set. Contagiously irresistible, it precedes the use of reversed snare reverb that hurdles the vocal into oblivion to inaugurate the breakdown. To complete the coronation, a DJ Pierre-inspired acid bassline melts what is left of the listener’s brain, making this a perfect weapon for peak-time set at a House-head festival. DJ Deeon would approve.
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Matt Whitehead ‎– We’re Bombing (Original Mix) [ELECTRO]

Matt Whitehead ‎– We're Bombing (Original Mix) [ELECTRO] Coming from his Bombing EP released on Super Rhythm Trax features a 1980s spirit of production.
Matt Whitehead ‎– We’re Bombing

Matt Whitehead fooled us all. If you play ‘We’re Bombing’ with an absence of context, you’ll most like guess the release year to be situated in the early 1980s. Roland TR 808 drum patterns. Check. Miami Vice soundtrack inspired synths. Check. Toms akin to Nairobi’s 1982 release ‘Funky Soul Makossa‘ are also to be found. Above all, closest similarities can be drawn to the New York-raised DJ Hashim’s production. The computerised use of processed robotic vocals played a major part in the Electro scene, justifying the name of the subgenre. Collectively, this Super Rhythm Trax release just like the label aims to bring back the old school sound while ironing out the unpolished lapses of its predecessors.


Coming from his Bombing EP, the track brings the raw thud kindred to the distant cousin genre of Miami Bass. Drum loops intervene in rotation like breakbeats. The slaphappy snare drums are given room to exercise their drive. Yet, just as important to the track’s identity are the neon atmosphere created by the soundscapes. Deep analogue strings & an arpeggio that sounds like it comes from PPG Wave synthesiser, unite together to give the track its soul. In such, ‘We’re Bombing’ avoids falling into the trap of sounding like a bootleg of a rejected Robocop soundtrack compilation. Music Radar has published a breakdown of tips for creating a electro banger. It demonstrates the amount of detail is required behind the scenes. Blawan has placed his stamp of approval on Matt Whitehead’s production before, and that’s an endorsement to treasure. Continue reading