Heiko Laux feat. Diego Hosteller – Canis Major Pt 1 [TECH-HO– USE]

As part of the Canis Major/Lucho EP, Canis Major Part 1 is Heiko Laux's tech-house Ovum Records release battle ready for those in-flight Watergate nights. Tasty combo of minimal, tech-house and techno from this DJ and Producer.Heiko Laux feat. Diego Hosteller – Canis Major Pt 1

Recently seeing Azimute and Perlon legend Sammy Dee at The Egg London, they were hippocratic to the noobs. Playing relentless minimal bass driven cuts, such as DJ Sneak, Egoexpress & A Guy Called Gerald. Once Green Velvet’s ‘Thoughts‘ hit, the dancefloor hit a height of deranged lunacy. The place was a true sweatbox, fans of Stanley’s would’ve enjoyed. Heidi Laux’s ‘Canis Major Part 1′ is one such that is bass driven, but nostalgically harks back to mid 00’s minimal engineered for such parties. As mentioned in this interview, Heiko always has a theme for his tracks. The benevolent feeling gotten from the unfathomable buzzing noises Fernweh was created on the tension surrounding the Arab world in 2014. Dropped on Josh Winks’ Ovum in 2013, ‘Canis Major’ is battle ready for those in-flight Watergate nights.


Also operating under Offshore Funk for more free spirited affairs, Heiko Laux cuts are for dancefloor drive only. The bass is crafted for such, muted and flat, it is still heaving in it’s expanse. Fan’s of Martin Buttrich & Guti will appreciate. Chords stab on the same notes as the bass to add for the groove, moving up the note scale 2 notes to help get bodies uncomfortable. Similar to Guy Gerber & Shlomi Aber’s ‘Sea of Sand‘ in the way the synths crackle, super bleepy keys jilt. It’s ultra erratic perfectly balancing the freaky nature of the track. Steamy hats add to this, and as he is also inspired me all audio noises, adds in faint field recordings of birds chirping. Quick laser stabs are fitting with ripple effects for a guaranteed warped out party. Continue reading

Benjamin Damage – Up (Original Mix) [TECHNO]

Benjamin Damage's 'Up' is a corker of a melodic techno track with some trance influence, and makes any set a memorable one. This 50 Weapons record label release certainly will get you ‘Up’ should you even be sober. Great Original Mix from the Belgian DJ  and producer.

Benjamin Damage – Up

The benefit of a Trance-tinged techno cut is that it can give a monumental lift to a set. In the same way that a Balearic soulful track melody does to a house set. Pig&Dan are probably the best in the game at making Techno-Trance hybrids that often grace fiery dancefloors. Such envisioning conceived by Benjamin Damage certainly helps thrust the clubs skywards to the highest levels of Paradise. A 2014 release on the now defunct 50 Weapons label, it motorcades enough bass to puncture readying chests. No wonder it featured on Illusive’s ‘Best of 2014’ list.


Lifting off from the start, the track is assembled with complete nuance. Due to Damage’s beginnings in the UK Bass scene, everything is programmed to a T. The drums are tightly knit. It ensures a small club can make the most of its impact as much as the Tomorrowland Festival main stage could. That UK Bass experience comes in handy with the low ends pounding. As though he’s just testing you, dribbles of the synth chords patter in. Getting more panoramic by the count, the track reaches full lift off. Like a NASA rocket ship taking off from Earth, the track then strips down the drums and bass for a exhilarating shower of synths. Clustered and twisted like the Greek mythology’s monster Hydra it displays its arms at full rage. It certainly will get you ‘Up’ should you even be sober. Continue reading