THE Nova Dream SEQUENCE – Dream 3 (DJ Yellow’s Abyssal-ienation Remix)
King Britt truly made waves in the electronic scene via his seminal 2003 remix of GusGus’s ‘David‘. It was released on Ovum, who he co-founded with Josh Wink. Though he’s been making quality tunes since the early 90’s, class is permanent. He still churns out the bangers to this day like on his Dub of Manuel Tur’s ‘Maybe Next Lifetime’ on Freerange Records. As well as creating House cuts, he’s manned the turntables for Grammy nominated hip-hop avant-gardist’s Digable Planets, producing one of my favourite Hip Hop albums ‘Adventures in Lo-Fi‘. His pre-eminence of drum machines and musician ship has seen him craft cinema scores for Michael Mann. King’s 2007 The Nova Dream Experiment album was ahead of its time, seamless melodic dreamy experience interweaving through IDM, Minimal and Melodic Techno. Compared to King’s version of Dream 3, Alain Ho aka DJ Yellow builds what is a nightmare. Completely reshaping it, and building on the devilish vocal, it’s murk breeds the emotion of a dank club at most intense.
King Britt & DJ Yellow released Alienation 3.7 on Yellow’s Poussez! label. Juno describes ‘The sound design here [being as] brilliant as is the fantastic programming, resulting in two ass shaking, mind altering journeys into the netherworld’. Clearly it was constructed during the same studio sessions, being called ‘Abyssal-ienation Remix’. It certainly sends the listener into the Abyss. After a hasty defending 3 note sax snippet, the track instantly sends you into another world. Haunting synths glide over pulsating acid synths which feel sound sharp like heavy rain. Undulating gothic pads Wolfgang Voight and Brian Eno may assemble, steeped with emotion float. It’s indicative of the atmosphere of trepidation at hand. Lawrence’s Sten alias has the same vibe. The haunting synths then take the fore as the track breakdown, and uses the sinister vocals. ‘I can feel your heart beat, as you move, and groove’ it says in a drooling languid manner. Bleepy drums kick back in, ensuring the dancefloor patrons stay in the zombie like stasis they would’ve already been induced in. Continue reading