Beck – Cellphone’s Dead (Ricardo Villalobos’ Entlebuch Remix)
It is always a good sight when producers step out of their comfort zone and remix tracks from other genres. Superpitcher has arguably been one of the best, time and again interpreting playlist tracks into party-ready cuts for the dancefloor. Hot Chip made a steady transition from Indie to Techno. Rarely however is it a minimal remix. This track, widely regarded to be made by Priku on the mysterious EEE outlet (Our theory being East End Edits sub label of East End Dubs’ Eastenderz). An edit of a Depeche Mode’s ‘Little 15’, it attaches a minimal beat to the original melody orchestrated by an organ. It’s an excellent exercise in the stripping back of a track. Ricardo Villalobos’ is a fine remixer, and his morphing of Thomas Dolby’s 1982 new wave release ‘One of Our Submarine‘ shows he has no bounds when it comes to remixing. As Crack Magazine has put, he’s a ‘creator of some of the most ambitious and outright bizarre electronic constructions of the last 20 years’. Audaciously pushing the boundaries, he has cooked up cuts that extend up to 40 minutes long in runtime. A common thread, however, underlining all is that they’re all analogue, and they all carry a distinct sound. Villalobos ups the ante on the uniqueness of this Beck track, ‘Cellphone’s Dead’. Originally a White Label release in 2007, it neighbours an Ellen Alien remix on her own BPitch Control. A compelling escapade in the genius of sampling, it’s an incredible showing of what you can do if you become a master of it.
A 15 minute odyssey, it begins with a chugging bass synonymous with his cuts. You really need to play his other cuts to appreciate it fully. Using polyrhythmic latin flare, the percussive knocks and flutes bring a swing to the track. It’s the critical path he uses to build the rest of the track with, just as Luciano, Lucien or Mirko Loko would. An 8-bit loop sends a charge through the foundation of the track, which then proceeds to use a mashup of vocal snippets from the original. ‘One by one I’ll knock you out’ says the childlike vocal, as Beck proceeds to say ‘Cellphone’s dead, lost in the desert’. It paints a perfect picture of feeling lost, not only in the groove but at a fabric London party it may get played at 2 am. Harmonised choral ‘hums’ in the background are played in a way that elevate the track like a chambré synth. The whole composition is wacky in a way that a DJ Koze track is. Continue reading