Gemini – We Are The Future (Original Mix) [HO– USE]

Gemini - We Are The Future (Original Mix) [HO-- USE] Fascinating deep house track that uses warm female vocals. A mysterious figure, the DJ and producer was revered in 1990s.

Gemini – We Are The Future

The 90s was great a great decade for breaks. Normally reserved for fast-paced DnB or HipHop cuts, it inevitably it made it’s way into House. Gemini’s ‘We Are The Future’ released in 1999 showcases superbly how Breaks x House can complement each other. Chiwax, one of the phenomenon Rawax’s sister label did well to rerelease this. It’s a downtempo affair that certainly brings about hints of the Nu Jazz of Jazzanova inclusive of Acid Jazz elements. The looped drums sound like live instrumentation opening up the scope for listeners of neighbouring genres.


Pitched down, the drums are really brought to the fore of the track. They’re hit with conviction and nous of a skilled jazz musician. The same drum sample, albeit drenched with more reverb than a Patrick Topping set, was also used by Ron Trent’s USG project. Bass plods away sounding like a double-bass being slapped live. It brings an incredible funk sounding straight from an Erykah Badu Neo Soul cut. Single note chords enter the fray, before a sketchingly echoing like a car hitting the handbreak giving an off-the-wall feel. Stringed samples which Kanye West may use guide the track in a warm direction are used with care. Harmonized female vocals sing ‘We are the future’ imploring one to look ahead, rather than back, just as this track is forward-thinking.

Gemini was a mad scientist. Stated on his Bandcamp, “As one of Chicago’s most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years – blazing a trail throughout the 90’s, prolifically releasing over 200 tracks from 1994 to 1999, Spencer’s music had shades innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.” It’s a shame to see someone retire early, but sometimes less is more. Releases on labels Peacefrog and Carl Craig’s Planet E show how much he was appreciated. You can see why Green Velevet liked him, this track sounding like ‘Thoughts’. As a producer he seemed fond of using live elements. ‘We Are The Future’ is a track inducing serendipity for both the DJ and the dancer. DJ because it breaks the monotamy of a set in being unalike yet still bringing the funk. Dancer because they’ll discover more moves than a young Michael Jackson when listening.

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